1
Walk
We see the room empty, before the call sheet.
The plot is shared between stills and motion from the first recce. Colour sits in pre-production, not after picture lock. Finishing is not a stranger at the end of the job, and the archive is named so another team can open it a year later.
We see the room empty, before the call sheet.
A gap between tours. The light is whatever the window gives.
House lamps stay on. We add only what the lamp cannot do.
Grade that keeps plaster pale and gold only where it is gold.
Stills for the booklet, a cut for the foyer screen.